Citadel

Citadel_landscape_poster_lrWhen you know a leading character in an event it seriously heightens the interest. I have always been drawn towards mountain expedition stories but ‘Citadel’, the latest offering from Alastair Lee and Posing Productions, is of particular interest. It is the story of Matt Helliker and Jon Bracey’s attempt to climb the previously unclimbed north-west ridge of Citadel, a stunningly beautiful mountain in the remote Neocola Mountains of Alaska. My interest? Jon Bracey. Today Jon is a muscularly toned climber with features carved out of the rock on which he climbs. I remember him being a relatively short, reserved, yet still very fit teenager who would bury his head in a climbing magazine at every opportunity. I would like to think that by taking him on a school expedition to the Himalaya in 1993, when he was an impressionable 17 years old, I opened his mind to big mountains and, in some way, influenced the route he has taken in life.

The film opens with some stunning aerial footage homing in on the Citadel. As it does so you gradually become aware of people, invisible, somewhere on the mountain. Those first indistinct human voices grow as the camera zooms in on Matt and Jon, ant like, camped on the top of a steep snow slope. The scale and the technical difficulty of the climb is incomprehensible.

With the introduction over the climbers talk of the reality of climbing, the risks and the losses, before taking us back to their respective homes in the Alps, Matt to his constant drive for fitness, while Jon has two young children keeping him on his toes. The balance of family, paid work as a top guide, and doing what you love is difficult but Jon seems to have got it right.

Returning to the Citadel, where the optimism of fellow climbers with knowledge of the mountain, is not flowing, Matt and Jon  are flown in with the unseen camera team and deposited on the glacier. Base Camp is established and then they have to sit out a storm and wait for the mountain to accept them on to its upper slopes. When the weather finally clears the mountain does not make life easy for them; soft, loose snow reveals almost flawless rock beneath it and the going is slow. Close ups of crampon tips grasping at the smallest of niches sets our hearts racing. With only three days of food in their packs they cannot afford to linger too long and they are already under pressure.

At the end of the first, long day (fourteen hours of climbing) they cut a small ledge in the snow to camp for the night. This was where we were first introduced to them on the mountain. The following morning this proved to be almost their high point, for now, the granite was flawless and impossible to climb without screwing bolts into the rock, something which purists Matt and Jon refuse to do. Sticking firmly to their principles they concede defeat, the mountain has beaten them, and they retreat to base camp to decide their next move.

The north-west ridge might have beaten them but there was still a chance they could bag the also unclimbed north ridge, tackling it lightweight in one day. Setting out early, Matt had to cope with stomach issues but, together, they put their heads down and climbed the route at a phenomenal pace, advertising just what fit and exceptionally capable climbers they are.

Alastair Lee has produced a superbly crafted film with stunning mountain shots and a clear narrative running throughout. He is, by far, the best mountain film maker in the country. If you love mountain films, make sure you see this one. It will be showing at King’s School, Worcester, Thursday 4th Feb. 2016 at 7.00pm.

As for Matt and Jon. Well done, guys. I am particularly proud of what you have achieved, Jon.

 

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